Denver Horror Collective is a sponsor of this recurring event at Bookbar hosted by our very own Tom Mavroudis, pairing horror and thriller readings with flights of beer & wine.
On Sunday, July 28 @ 6 pm we feature Carter Wilson reading from his new book The Dead Girl in 2A. RSVP here!
Jake Buchannan knows the woman sitting next to him on his business flight to Denver—he just can’t figure out how he knows her. Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.
The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.
Carter Wilson is the award-winning and USA Today bestselling author of Mister Tender’s Girl. He lives outside of Boulder, Colorado, with his two children.
In this second episode of the Jeamus After Midnight Podcast, Jeamus interviews author and journalist Josh Schlossberg, a damned fine writer who mixes it up with the macabre. Later in the episode we have a brief discussion about the very big subject of American Folk Horror.
In this pilot episode of Jeamus After Midnight (sponsored by Denver Horror Collective), artist and author Jeamus Wilkes flies solo in a fifteen minute monologue about creative brains, the origins of stuff, sobriquets, what meaneth “horror”, and the road ahead for the podcast… all with a delightfully creepy, blizzardy soundtrack.
People often act surprised when I tell them I’m both a journalist and a horror fiction writer.
I mean, I get it: In many ways the two fields don’t even occupy the same landscape. In one, shameless hacks make up fake stories to exploit the most depraved aspects of the human experience, while the other is a celebrated genre of literature popularized by respected writers such as Bram Stoker, H.P. Lovecraft, and Stephen King.
Seriously, though, while quality journalism presents a spectrum of viewpoints all at once, horror fiction is typically about seeing the world through the biased (even warped) lens of one character at a time.
The mechanics of the writing itself also tend to differ, where spare and simple prose best conveys the facts essential to newswriting, while in fiction colorful word choice and stylistic phrasing amplify a writer’s unique voice.
But the lines can—and often do—blur. Whether it’s an article delving into the gun control debate or a story about swimmers devoured by a lake monster, both crafts are driven by our inborn attraction to conflict.