Frights and Flights with Lanie Goodell on April 28

Denver Horror Collective is now a co-sponsor of this recurring event at Bookbar with our very own Tom Mavroudis as host!

This month on Sunday, April 28 @ 6 pm we feature Lanie Goodell, single mom and horror author from Denver reading from Salvagium, a romantic horror novel set in the picturesque mountains of Vermont.

RSVP here!

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Jeamus After Midnight Podcast #2: Josh Schlossberg Interview and Folk Horror Discussion

Jeamus_After_Midnight_PodbeanIn this second episode of the Jeamus After Midnight Podcast, Jeamus interviews author and journalist Josh Schlossberg, a damned fine writer who mixes it up with the macabre. Later in the episode we have a brief discussion about the very big subject of American Folk Horror.

Download/stream on Podbean.

Jeamus After Midnight Podcast #1: Brains and Origins

Jeamus_After_Midnight_PodbeanIn this pilot episode of Jeamus After Midnight (sponsored by Denver Horror Collective), artist and author Jeamus Wilkes flies solo in a fifteen minute monologue about creative brains, the origins of stuff, sobriquets, what meaneth “horror”, and the road ahead for the podcast… all with a delightfully creepy, blizzardy soundtrack.

Download/stream on Podbean.

Blurred Lines: Newswriting and Horror Fiction

– by Josh Schlossberg

blood-with-penPeople often act surprised when I tell them I’m both a journalist and a horror fiction writer.

I mean, I get it: In many ways the two fields don’t even occupy the same landscape. In one, shameless hacks make up fake stories to exploit the most depraved aspects of the human experience, while the other is a celebrated genre of literature popularized by respected writers such as Bram Stoker, H.P. Lovecraft, and Stephen King.

Seriously, though, while quality journalism presents a spectrum of viewpoints all at once, horror fiction is typically about seeing the world through the biased (even warped) lens of one character at a time.

The mechanics of the writing itself also tend to differ, where spare and simple prose best conveys the facts essential to newswriting, while in fiction colorful word choice and stylistic phrasing amplify a writer’s unique voice.

But the lines can—and often do—blur. Whether it’s an article delving into the gun control debate or a story about swimmers devoured by a lake monster, both crafts are driven by our inborn attraction to conflict.

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