Denver Horror Collective Book Society -PET SEMATARY – by Stephen King

StephenKingPetSematarySaturday June 8 @ 6-8pm, Golden, Colorado (RSVP for directions)

The Denver Horror Collective Book Society–a book club for horror writers at any level–will be celebrating over thirty-five years of PET SEMATARY by Stephen King. Let your horror fiction flag fly, and be prepared to share your fave PS stories (when you first read/saw it, any PS folklore you’re fascinated by, and of course, what you love about it).

Have your writer’s cap on along with your party hat and spade. Directions will be PM’d to ya. Please RSVP to facilitate planning for this soiree, and thanks in advance.

 

6(66) Questions with Jeamus Wilkes

– Interview by Linnea Linton

jeamusJeamus Wilkes is a Denver Horror Collective member, host of Jeamus After Midnight Podcast, and editor of The Epitaph.

1. Name one horror author you admire and explain how they help you become a better writer?

Peter Straub. Straub helps me become a better writer because of his beautiful use of language blended with professional execution of creating dread and scenes of absolute terror. His work is un-commercial in the best possible way, yet utterly accessible in readability and makes my imagination’s flesh crawl like no other writer. It helps me become a better writer in knowing that I can aim for the story first, and cut the commercial crap right out. His novel Shadowland is probably my favorite book I’ve ever read, and I read it at least once a year.

2. What author did you dislike at first but grew into?

H.P. Lovecraft. I think I associated his name too much with gaming and protracted paragraphs (that sounds like a swipe at gaming culture when it really isn’t; at one time I just felt like Lovecraft’s world was over-appropriated in it), but when I revisited his work a few years ago I came to appreciate it on my own terms and made my own discoveries in his work. He’s a controversial figure, but—at this point, at least—I’ve decided to appreciate the artist. Chew on the meat and spit out the bones, to use a blunt horror metaphor.

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Denver Horror Epitaph

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We’re all shivers as we announce the unveiling of the Denver Horror Epitaph, the official newsletter of the Denver Horror Collective!

Our unnerving monthly e-newsletter will

  • loop you in on the Mile High City’s burgeoning literary horror scene
  • chill you with original dark writings and cartoons
  • disturb you with interviews of local horror creators
  • and update you on the latest goings-on at the Denver Horror Collective!

SUBSCRIBE to monthly email issues of the Epitaph and enter in a drawing to receive a signed copy of Terror at 5280′, our upcoming horror fiction anthology!

 

Frights and Flights with Lanie Goodell on April 28

Denver Horror Collective is now a co-sponsor of this recurring event at Bookbar with our very own Tom Mavroudis as host!

This month on Sunday, April 28 @ 6 pm we feature Lanie Goodell, single mom and horror author from Denver reading from Salvagium, a romantic horror novel set in the picturesque mountains of Vermont.

RSVP here!

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Call for Submissions: Terror at 5280’

Call for Submissions: Terror at 5280’

Denver Horror Press is seeking the best in local horror fiction to publish in our upcoming anthology, Terror at 5280’.

We’re looking for short stories related to or taking place in or around Denver, Colorado (bonus points for including local lore or haunts) written by authors currently living in Colorado (stories written by those outside of Colorado will not be considered).

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Blurred Lines: Newswriting and Horror Fiction

– by Josh Schlossberg

blood-with-penPeople often act surprised when I tell them I’m both a journalist and a horror fiction writer.

I mean, I get it: In many ways the two fields don’t even occupy the same landscape. In one, shameless hacks make up fake stories to exploit the most depraved aspects of the human experience, while the other is a celebrated genre of literature popularized by respected writers such as Bram Stoker, H.P. Lovecraft, and Stephen King.

Seriously, though, while quality journalism presents a spectrum of viewpoints all at once, horror fiction is typically about seeing the world through the biased (even warped) lens of one character at a time.

The mechanics of the writing itself also tend to differ, where spare and simple prose best conveys the facts essential to newswriting, while in fiction colorful word choice and stylistic phrasing amplify a writer’s unique voice.

But the lines can—and often do—blur. Whether it’s an article delving into the gun control debate or a story about swimmers devoured by a lake monster, both crafts are driven by our inborn attraction to conflict.

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