Denver Horror Collective is a sponsor of this recurring event at Bookbar hosted by our very own Tom Mavroudis, pairing horror and thriller readings with flights of beer & wine.
On Sunday, July 28 @ 6 pm we feature Carter Wilson reading from his new book The Dead Girl in 2A. RSVP here!
Jake Buchannan knows the woman sitting next to him on his business flight to Denver—he just can’t figure out how he knows her. Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.
The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.
Carter Wilson is the award-winning and USA Today bestselling author of Mister Tender’s Girl. He lives outside of Boulder, Colorado, with his two children.
1. Name one horror author you admire and explain how they help you become a better writer?
Peter Straub. Straub helps me become a better writer because of his beautiful use of language blended with professional execution of creating dread and scenes of absolute terror. His work is un-commercial in the best possible way, yet utterly accessible in readability and makes my imagination’s flesh crawl like no other writer. It helps me become a better writer in knowing that I can aim for the story first, and cut the commercial crap right out. His novel Shadowland is probably my favorite book I’ve ever read, and I read it at least once a year.
2. What author did you dislike at first but grew into?
H.P. Lovecraft. I think I associated his name too much with gaming and protracted paragraphs (that sounds like a swipe at gaming culture when it really isn’t; at one time I just felt like Lovecraft’s world was over-appropriated in it), but when I revisited his work a few years ago I came to appreciate it on my own terms and made my own discoveries in his work. He’s a controversial figure, but—at this point, at least—I’ve decided to appreciate the artist. Chew on the meat and spit out the bones, to use a blunt horror metaphor.
In this second episode of the Jeamus After Midnight Podcast, Jeamus interviews author and journalist Josh Schlossberg, a damned fine writer who mixes it up with the macabre. Later in the episode we have a brief discussion about the very big subject of American Folk Horror.
In this pilot episode of Jeamus After Midnight (sponsored by Denver Horror Collective), artist and author Jeamus Wilkes flies solo in a fifteen minute monologue about creative brains, the origins of stuff, sobriquets, what meaneth “horror”, and the road ahead for the podcast… all with a delightfully creepy, blizzardy soundtrack.
Denver Horror Press is seeking the best in local horror fiction to publish in our upcoming anthology, Terror at 5280’.
We’re looking for short stories related to or taking place in or around Denver, Colorado(bonus points for including local lore or haunts) written by authors currently living in Colorado (stories written by those outside of Colorado will not be considered).