It’s #TERRORTUESDAY, so we’re promoting another DHC member’s work from our DARK LIT MARKET!

This week, tune in to INCARNATION READ, a horror fiction podcast by C.S.W.

INCARNATION READ is a podcast of horror tales, tales of inhuman impulses, of gaps between reality and nightmare, of things that are seen that can’t possibly be real––stories for a listener to hear, and to experience.

Presented by Denver Horror Collective, author and DHC co-founding member Josh Schlossberg surveys the dark landscape of biological horror fiction on his new podcast, with many DHC members as guests!

Subscribe to the podcast on Podbean, iTunes, Google, and other popular podcast platforms or sign up for Josh’s Worst Nightmare newsletter

-Interview by Desi D

1. What is your favorite line in a book/movie? And why?

LARRY BERRY: The worm that often destroys us is the temptation to agree with our critics by Thomas Harris, Hannibal. This serpent’s tooth of cynicism serves as a reminder to be an unrepentant rebel when you sit in your writing chair. It is more important to write from core memories than to follow anyone’s advice, no matter how well-meant. To be an original is uniquely American, and from Jack Kerouac to H. P. Lovecraft it is the original talents I admire and value.

2. As a writer, why horror? And what is your writing process when working on a new story? Pantser? Plotter? Or somewhere in between?

LB: Why horror? I was an outstanding school crossing guard. In my hometown of Salina, Kansas, Oakdale Elementary awarded me a pass to the Strand Theater each Saturday to watch the triple feature matinee they put on for the kids in town. My mother didn’t know that these were horror films (I don’t think any of the mothers did—these passes were a great 6-hour babysitter). The pass was good for three years, and I saw every horror film ever made. If it wasn’t love at first sight, it certainly was 148 films later.

A neighborhood won’t let its residents forget the past. One taste draws two lovers into a nightmarish addiction. A harsh winter forces strange creatures down from the mountains.

At sea level, where it’s safe, things like this can’t happen. But when you’re sky high in Denver, Colorado, anything goes…including your sanity.

Beware of Terror at 5280’, Denver Horror Collective’s (Denver Post bestselling, winner of the Fiction Anthology category & finalist for Horror Fiction in The 2020 Best Book Awards from American Book Fest) local horror fiction anthology featuring 22 dark tales set in and around Denver and the Front Range of the Rocky Mountains penned exclusively by local authors (including Stephen Graham Jones, Carter Wilson, and others).

Audiobook out now via Audible! 

-Interview by Desi D

1. What’s your favorite line in a book/movie? And why?

“Logic is the last refuge of a coward.” – Clive Barker, Books of Blood Vol. 3.

This isn’t true in all things; in fact, sometimes the exact opposite is true. But I absolutely believe this is true in art, and whether spoken or written or acted out, fiction is art. First, last, and always. A good fiction story and the world in which it unfolds follows logic to the extent that it makes sense, because as a writer, it’s always my job to wonder, “If this is true, then what else is true?” But good art often invites one to step into it and leave one’s comfort zone behind.

The ancient Greeks revered logos, but they recognized its limits, and that there’s a place in the human experience for pathos, as well. Brittle minds that fear the question “What if?” always keep logic close at hand as the ultimate emergency escape, because logic doesn’t dare you to step into the unknown. Logic recognizes only what can be established or proven, and essentially dismisses everything else.

2. As a writer, how would you describe your muse? And your process?

I’m compelled to write. I’d describe my muse as a witch with a gift of magic, but it’s a gift that can’t be refused, and her price is that the magic gets written about. And she doesn’t mind using baneful magic to get her way.

Before too long, a story starts to bubble up from my unconscious. It’s gradual at first, often beginning with just a single element, such as a person experiencing something, or a place and time, or a simple object. Then larger chunks start coming into view–characters, interactions, events, decisions, the general setting. Research into specific topics fills in blanks, makes the story more immersive, and (for me, at least) fires the imagination even further. Eventually I have to start writing. If I don’t, the story becomes all I can think about, my mood starts to spiral, and my sleep patterns start going haywire. The muse won’t be denied.

Fortunately, it usually doesn’t come to that. I don’t write hard outlines; that’s way too rigid. “If you want to make God laugh, tell Him your plans”, as the saying goes, and along the same lines, if I wanted to make my muse laugh, I’d try to show her an exact blueprint of the story. The final percentage of the story is always created as it’s being written. But by the time I’m ready to write, I do have a soft, malleable outline in my head, and I’ll write it out in a few paragraphs. That way, I can see the general timeline, and how it naturally breaks down into scenes and chapters.

Unlike some writers, I prefer to edit a bit as I write, rather than trying to vomit the whole tale out without looking back first. But then when the whole tale’s written, the serious editing begins. I read it aloud, and I reword, add, and delete as I go. I pass through that cycle several times at least, always remembering the famous advice to “murder your darlings,” until I’ve trimmed out about twenty percent of the first draft, and the story reads smoothly.

3. What author has been your biggest inspiration to write? And why?

There have been several, but the earliest was probably Ray Bradbury. I was exposed to him in grade school, when one of my teachers read us parts of The Martian Chronicles and Fahrenheit 451. I instantly loved his poetic, lyrical style, full of simile and metaphor and image, and how he used speculative elements to get you to think about some thought-provoking, hard-hitting questions. Such as, “What does it mean to be human?”, and “When does fear and so-called ‘law and order’ undermine our humanity and work against us?” Then I read Something Wicked This Way Comes on my own–my first exposure to dark fantasy–and it blew me away. I loved spooky stuff as a kid (and still do)–ghost stories, monster movies, Halloween–and that one story was the tipping point that made me realize I wanted to create stories of my own in a similarly creepy, fantastical vein.

Years later, Neil Gaiman and Clive Barker super-charged that inspiration. One quote of Barker’s on writing resonates very powerfully with me, “There must inevitably be unholy business here, just as there will be sacred, but I cannot guarantee to tell you–or even sometimes to know–which is which…All I want now is the time to enchant you.”

4. What is it about the art of storytelling that excites you? And what’s the next story we can look forward to reading from you?

As a creator and teller of stories, you’re both rock composer and rock star. You get to create and populate an alternate universe, and then you get to put on a show, as the guide of an immersive tour through that universe. The power of the word has a freedom unlike any other in art–it’s like having a magic carpet that can take the reader anywhere in the space and time of your universe, and can shrink to the microscopic, or expand to the cosmic. Unlike a camera (real or virtual), it’s not limited to the visual and audial. It can speak to all six senses, because it can make the reader telepathic, empathic, and clairvoyant; it can take the reader right into the hearts and minds of characters, both individual and collective. It can foreshadow, hindshadow, or sideshadow.

To be deemed by fans and readers as even minimally worthy of wielding that kind of power is very exciting. To enchant, to excite, to mystify, to terrify, to inform, to amuse, to provoke thought, and to connect with fellow human beings by spinning yarns that ring true and carry meaning for them, there are very few things that carry more meaning for me.

My next story is titled “Feast of the Senses,” and will be included in Denver Horror Collective’s upcoming anthology, Consumed: Tales Inspired by the Wendigo.

Dark Wisdom Webinar #6 – LGBTQ HORROR FICTION (with Bobby Crew)

Join author and indie publisher Bobby Crew, as we explore themes in LGBTQ horror fiction from historic to modern and learn how some LGBTQ authors naturally gravitated to the horror genre.

Bobby Crew is author of Dining with Devils, a collection of 7 stories that explores the hell you create when you get too close to your demons. He’s also starting a small publishing press that focuses primarily on LGBTQ horror.

Get tickets & Zoom link through Eventbrite ($5 or free for DHC members) or email submissions@denverhorror.com for more info.

Interview by Desi D

1. Name one horror author you admire and explain how they helped you become a better writer.

Joe Hill, if what I once read about him being Stephen King’s son and choosing to not publish under the King name so that his writing would succeed on its own merit is true, I can totally dig and respect that! Stories like this give me drive to also succeed.

2. As a writer, what would you choose as your mascot and why?

I chose my mascot in the opening rant of my third book when I said, “I am your Puking Jesus. I am the god of the urinal-cake!” And though there’s deeper meaning, it simply sounds cool.

3. Name six of your favorite horror movies or books. Elaborate on any of them.

Now we’re talkin’!! Naming six is so much easier than only one.

Books: Hell Bound Heart – Awesome splatterpunk sadomasochism. It – Come on, creepy clown is always a classic! Haunted – Chuck does a pretty good job writing horror without the supernatural aspect involved, especially in the section entitled “Guts”.

Movies: Texas Chainsaw Massacre III, A New Generation – It’s just so messed up!!! Dracula, with Gary Oldman and Winona Ryder – that scene where he decides not to turn and condemn her to his eternal hunger, but she’s begging him to at this point; yeah, breathtaking. House of a Thousand Corpses – Get on my fluffy tail, said the rabbit, and I’ll take you to my rabbity hutch. Hahahahaha-hahahaha-hahahaha; Stab-stab-stab-hack-stab-splatter.

4. What is it about writing that excites you? And of course, what’s the next story we can look forward to reading from you?

Immortality in this carnal world through my craziness caught on paper, and in digital form, to be left as a legacy if I can’t someday achieve this immortality through medical science. If you haven’t read Brain Pulp, it could be the next thing being it’s back on market @ Amazon Kindle. My agent has submitted my novel, Lou Cifer, to Eraserhead Press, so let’s hope that’s, available soon. I’ve sent y’all my short story “Moo Like a Chicken” to answer your wendigo call. And right now, my second anthology, Collection of Madness, is undergoing its final format, a sequel to Lou Cifer entitled “Luci Fire” is in mock-up while I’m handwriting a vampyre novel, They Nest, in longhand.