Here at Denver Horror Collective—our frighteningly talented group of horror writers and artists in and around the Mile High City—we believe in the motto: write locally, scare globally.
Which is why we’re all shivers to announce our Indiegogo fundraiser for Terror at 5280’, our horror fiction anthology due out this fall, with stories set around the greater Denver metroplex and Front Range Rocky Mountain communities, all penned by Colorado authors!
What authors, you may ask? Well, how about:
Bram Stoker Award-winning horror master, Stephen Graham Jones
USA Today and #1 Denver Post bestselling thriller author Carter Wilson
Hex Publishers owner, editor, and author Josh Viola
Foreword by John Palisano, author and President of Horror Writers Association
Various Denver Horror Collective members
Other Colorado-based horror fiction writers
The print and e-book anthology will run about 250 pages and include roughly 20 stories (the editorial team has already made its selections and is currently editing). Some tales are based on local folklore and urban legends, while others touch on social and environmental themes relevant to the area, such as gentrification, substance abuse and…zombie deer.
As with everything at Denver Horror Collective, Terror at 5280’ is a group effort. So, if you love horror fiction, indie publishing, and/or local arts, will you make a contribution to our Indiegogo fundraiser today!
Denver Horror Collective is a sponsor of this recurring event at Bookbar hosted by our very own Tom Mavroudis, pairing horror and thriller readings with flights of beer & wine.
On Sunday, July 28 @ 6 pm we feature Carter Wilson reading from his new book The Dead Girl in 2A. RSVP here!
Jake Buchannan knows the woman sitting next to him on his business flight to Denver—he just can’t figure out how he knows her. Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.
The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.
Carter Wilson is the award-winning and USA Today bestselling author of Mister Tender’s Girl. He lives outside of Boulder, Colorado, with his two children.
Saturday June 8 @ 6-8pm, Golden, Colorado (RSVP for directions)
The Denver Horror Collective Book Society–a book club for horror writers at any level–will be celebrating over thirty-five years of PET SEMATARY by Stephen King. Let your horror fiction flag fly, and be prepared to share your fave PS stories (when you first read/saw it, any PS folklore you’re fascinated by, and of course, what you love about it).
Have your writer’s cap on along with your party hat and spade. Directions will be PM’d to ya. Please RSVP to facilitate planning for this soiree, and thanks in advance.
1. Name one horror author you admire and explain how they help you become a better writer?
Peter Straub. Straub helps me become a better writer because of his beautiful use of language blended with professional execution of creating dread and scenes of absolute terror. His work is un-commercial in the best possible way, yet utterly accessible in readability and makes my imagination’s flesh crawl like no other writer. It helps me become a better writer in knowing that I can aim for the story first, and cut the commercial crap right out. His novel Shadowland is probably my favorite book I’ve ever read, and I read it at least once a year.
2. What author did you dislike at first but grew into?
H.P. Lovecraft. I think I associated his name too much with gaming and protracted paragraphs (that sounds like a swipe at gaming culture when it really isn’t; at one time I just felt like Lovecraft’s world was over-appropriated in it), but when I revisited his work a few years ago I came to appreciate it on my own terms and made my own discoveries in his work. He’s a controversial figure, but—at this point, at least—I’ve decided to appreciate the artist. Chew on the meat and spit out the bones, to use a blunt horror metaphor.
In this second episode of the Jeamus After Midnight Podcast, Jeamus interviews author and journalist Josh Schlossberg, a damned fine writer who mixes it up with the macabre. Later in the episode we have a brief discussion about the very big subject of American Folk Horror.