Tag Archives: josh schlossberg

MALINAE by Josh Schlossberg Virtual Book Launch + “Alzheimer’s: From Horror to Hope” (4/9)

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In a virtual launch event on Friday, April 9 at 6 p.m. (MT) co-hosted by Denver Horror Collective, D & T Publishing unleashes MALINAE, the debut novella by biological horror author & DHC co-founding member, Josh Schlossberg.

RSVP via Eventbrite for Zoom link.

Ward Ayers, physically disabled and confined to his Jersey Shore home, can only watch in dismay as his beloved wife Malina slips further and further into dementia. Until he uncovers the dark force behind Malina’s decline and must plumb the depths of sacrifice and selfishness to reclaim his wife and preserve humanity’s future.

The 1-hour event will feature:

–Josh Schlossberg reading a brief excerpt from MALINAE and sharing the real-life inspiration for his fictional work’s exploration of Alzheimer’s disease.

–D & T Publishing editor, Dawn Ellis Shea, relating her experiences working as a nurse with dementia patients.

–Huntington Potter, Ph.D., Director of University of Colorado Alzheimer’s and Cognition Center, offering hope in the form of the latest scientific progress towards a cure.

The event will conclude with Q&A.

MALINAE will be available as an e-book from Godless.com on April 9, and as print and e-book through Amazon on April 23.

For more information, please visit JoshsWorstNightmare.com or DandTpublishing.com.

CONSUMED: TALES INSPIRED BY THE WENDIGO Now Available!

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Hunger that changes you…consumes you…turning you into a nightmare version of what you once were. From desolate snowy mountains and apocalyptic wastelands to New York’s sex clubs and virtual encounters, Denver Horror Collective brings you, dear reader, visions of horror inspired by the Wendigo.

On the heels of the success of its Denver Post best-selling, award-winning, and critically acclaimed Terror at 5280’, Denver Horror Collective has released another horror fiction anthology, available now!

CONSUMED: Tales Inspired by the Wendigo contains stories based on the Wendigo, a part-human monster or possessing spirit that instigates acts of murder, insatiable greed, and cannibalism, originating in the oral tradition of First Nations Algonquian tribes. 

The brainchild of master editors Hollie & Henry Snider (formerly of Strigidae Publishing), CONSUMED: Tales Inspired by the Wendigo features Wrath James White (author of Succulent Prey, Everyone Dies Famous in a Small Town, and Population Zero), Steve Rasnic Tem (author of Ubo, Deadfall Hotel, and over 350 short stories), Dana Fredsti (author of The Spawn of Lilith, Blood Ink, and the Plague Town trilogy), Owl Goingback (author of Crota, Darker than Night, and Coyote Rage), and many more seasoned and emerging horror authors.

In an effort to help communities struggling the most with the COVID-19 pandemic, 20 percent of net profits will go towards Southern Ute Indian Tribe coronavirus relief.

E-book available through Nook and Kindle and print edition available through Powell’s, Barnes and Noble, Amazon, and from your local bookstore through Indiebound.

Jeamus After Midnight Podcast #2: Josh Schlossberg Interview and Folk Horror Discussion

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Jeamus_After_Midnight_PodbeanIn this second episode of the Jeamus After Midnight Podcast, Jeamus interviews author and journalist Josh Schlossberg, a damned fine writer who mixes it up with the macabre. Later in the episode we have a brief discussion about the very big subject of American Folk Horror.

Download/stream on Podbean.

Blurred Lines: Newswriting and Horror Fiction

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– by Josh Schlossberg

blood-with-penPeople often act surprised when I tell them I’m both a journalist and a horror fiction writer.

I mean, I get it: In many ways the two fields don’t even occupy the same landscape. In one, shameless hacks make up fake stories to exploit the most depraved aspects of the human experience, while the other is a celebrated genre of literature popularized by respected writers such as Bram Stoker, H.P. Lovecraft, and Stephen King.

Seriously, though, while quality journalism presents a spectrum of viewpoints all at once, horror fiction is typically about seeing the world through the biased (even warped) lens of one character at a time.

The mechanics of the writing itself also tend to differ, where spare and simple prose best conveys the facts essential to newswriting, while in fiction colorful word choice and stylistic phrasing amplify a writer’s unique voice.

But the lines can—and often do—blur. Whether it’s an article delving into the gun control debate or a story about swimmers devoured by a lake monster, both crafts are driven by our inborn attraction to conflict.

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