Denver Horror Collective, a group of horror writers and artists, has raised $1,150 through its Indiegogo fundraiser to purchase stories from twenty-seven Colorado authors to publish in Terror at 5280’, a local horror fiction anthology due out this fall.
The twenty-one dark tales chosen for the print and e-book anthology (and six more in The Epitaph newsletter and on DenverHorror.com) are set around the greater Denver metroplex and Front Range Rocky Mountain communities. Some stories are based on local folklore and urban legends, while others touch on social and environmental themes relevant to the area, such as gentrification, substance abuse, and zombie deer (aka chronic wasting disease).
All stories are penned by Colorado authors, including: Bram Stoker Award® winning horror master Stephen Graham Jones, USA Today and #1 Denver Post bestselling thriller author Carter Wilson, various Denver Horror Collective members, and other Colorado-based horror fiction writers including Carina Bissett, Lindsay King-Miller, and Joy Yehle, with a foreword by Horror Writers Association President John Palisano.
1. Name one horror author you admire and explain how they help you become a better writer?
Peter Straub. Straub helps me become a better writer because of his beautiful use of language blended with professional execution of creating dread and scenes of absolute terror. His work is un-commercial in the best possible way, yet utterly accessible in readability and makes my imagination’s flesh crawl like no other writer. It helps me become a better writer in knowing that I can aim for the story first, and cut the commercial crap right out. His novel Shadowland is probably my favorite book I’ve ever read, and I read it at least once a year.
2. What author did you dislike at first but grew into?
H.P. Lovecraft. I think I associated his name too much with gaming and protracted paragraphs (that sounds like a swipe at gaming culture when it really isn’t; at one time I just felt like Lovecraft’s world was over-appropriated in it), but when I revisited his work a few years ago I came to appreciate it on my own terms and made my own discoveries in his work. He’s a controversial figure, but—at this point, at least—I’ve decided to appreciate the artist. Chew on the meat and spit out the bones, to use a blunt horror metaphor.