Cover Reveal: THE JEWISH BOOK OF HORROR

Horror is part of the human condition, but few peoples across the ages know it quite like the Jews.

From slavery to pogroms to the Holocaust to antisemitism, the “Chosen People” have not only endured hell on Earth, they’ve risen above it to share their stories with the world.

Whether it’s pirate rabbis or demon-slaying Bible queens, concentration camp vampires or beloved, fearless bubbies, THE JEWISH BOOK OF HORROR offers you twenty-two dark tales about the culture, history, and folklore of the Jewish people.

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Josh’s Worst Nightmare #11: The Answer is Cancer (with Hollie & Henry Snider)

On episode #11 of Josh’s Worst Nightmare, host Josh Schlossberg gets out the literary scalpel with DHC steering committee members, Hollie & Henry Snider, editors of CONSUMED: TALES INSPIRED BY THE WENDIGO, to biopsy cancer.

Stream or download HERE.

Josh’s Worst Nightmare #6: The Forest Primeval (with Matthew Lyons)

On episode #6 of Josh’s Worst Nightmare, host Josh Schlossberg gets lost in the woods with Matthew Lyons, author of THE NIGHT WILL FIND US, to explore what scares us the most about the deep dark forest.

Stream or download here.

Josh’s Worst Nightmare #5: The Autism Spectrum (with Gary Robbe)

On episode #5 of Josh’s Worst Nightmare, host Josh Schlossberg looks at things through another perspective with Gary Robbe, educator and author of “Scrape,” to find out the right–and wrong–ways to write about autism in horror fiction. 

Stream or download here.

The 4th Circle: Interview with Josh Schlossberg

Interview by Desi D

  1. Name one author you admire and explain how they helped you become a better writer.

I know I should probably say someone like Edgar Allan Poe, H.P. Lovecraft, or Shirley Jackson, but the author who influenced my writing the most is definitely John Steinbeck. (What’s funny is it’s recently been revealed that Steinbeck wrote a werewolf novel that’s never been published, and people are calling on his estate to release it!)

Steinbeck’s writing comes across as so simple it’s almost like spoken word, but it’s deceptive in that it’s no easy feat. And not only are his stories deeply meaningful, they’re timeless—as is his prose style which avoids the flowery, clunky sentence structure that dates so many “classic” authors. If a literate alien picked up Steinbeck’s work today, I bet it wouldn’t be able to tell if it had just been written or published centuries ago.

Of course, I’m not saying I’ve achieved close to any of this in my writing. But I think he’s been rubbing off on me and I hope I’m making some progress.

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